The Ultimate Glassy Clean: York Audio FTWN 212 D120 Cab Pack
For guitarists chasing that legendary, hi-fi sparkle often associated with players like Jerry Garcia and Duane Allman, the York Audio FTWN 212 D120 Cab Pack is a game-changer. Based on a 1971 Silverface Fender Twin Reverb loaded with original
speakers, this pack captures the "tone monster" that defined a decade of pristine cleans and articulate grit. What Makes the D120F Special? Unlike standard speakers of the era, the JBL D120F features aluminum dust caps
. This design choice creates a signature high-end "air" and string separation that cuts through any mix without sounding harsh. Warm and full. Complex and slightly scooped, yet remains articulate. Crystal clear with exceptional detail. Inside the Pack
York Audio provides a comprehensive library for modelers like the Fractal Axe-Fx Line 6 Helix 138 Total IRs
: Includes 119 single-mic captures and 19 of York Audio’s signature multi-mic mixes. Elite Mic Selection
: Features captures from the Shure SM57 (vintage and modern), Sennheiser MD421, Royer R-121, and the legendary Telefunken U47. WAV Format Support
: High-resolution 24-bit files provided in 44.1k, 48k, and 96k sample rates. Room Captures York Audio FTWN 212 D120 -WAV-
: Includes full-resolution "Room" L and R captures for an authentic "Amp in the Room" (AITR) feel. Why You Need It
This pack excels in genres requiring clarity and dynamic response, such as Worship, Blues, and Rock
. It is particularly praised for making digital modelers sound less like a "recording" and more like a physical amp vibrating the floor. Whether you're using a Gretsch for ambient cleans or a Strat for that classic neck-pickup "cluck," the FTWN 212 D120 delivers an inspiring, professional-grade experience. You can find the FTWN 212 D120 directly at the York Audio Shop for approximately $14.99 - $19.99 for a particular genre like FTWN 212 D120 - York Audio
The York Audio FTWN 212 D120 Go to product viewer dialog for this item.
is a specialized impulse response (IR) pack modeled after a 1971 "Silverface" Fender Twin Reverb combo. It is distinctive for its use of original JBL D120F speakers, which provide a high-headroom, "hi-fi" response characterized by shimmering top-end clarity and deep low-end punch. 🎸 Core Specifications
Cabinet Source: 1971 Silverface Fender Twin Reverb 2x12 combo.
Speakers: Original JBL D120F featuring aluminum dust caps for enhanced note separation. The Ultimate Glassy Clean: York Audio FTWN 212
Pack Contents: 138 total IRs, including 119 single mic captures and 19 multi-mic "Mixes".
Format: 24-bit .WAV files at 44.1k, 48k, and 96k sample rates.
Resolution: 500ms for maximum fidelity (automatically truncated by hardware if needed). 🎤 Microphone Selection
The pack uses eleven hand-selected microphones to capture the cabinet's unique voice: Models Used Dynamic Shure SM57 (Modern & Vintage), Sennheiser MD421 Ribbon Royer R-121 Beyerdynamic M160 AEA Nuvo N22 Condenser Telefunken U47 (Large Diaphragm Tube), Neumann KM 184 (Small Diaphragm) Ambient Room, Rear, and Side captures using Telefunken U47 ; Sum captures with ⚡ Key Features & Performance
"FullRes" Support: Includes longer room IRs (Room L and R) designed for Fractal Audio's FullRes capabilities to simulate a "live room" feel.
Curated Mixes: Features 19 multi-mic blends, such as "Mix 01" (57m + 121), designed to be mix-ready with minimal EQ.
Phase Options: Provided in both Natural Phase and Minimum Phase versions to ensure compatibility when blending with other factory IRs. File Format: 24-bit / 44
Genre Versatility: While prized for pristine cleans in worship and blues, the D120 speakers provide a complex midrange that remains articulate even under high-gain conditions.
🚀 Tip: For Fractal Audio users, York Audio recommends an impedance curve setting of 47.0 Hz to best match the physical cabinet's low-end resonance. To help you get the most out of this pack: Which modeling hardware or DAW do you plan to use it with? g., warmer vintage vs. bright modern)? New IR pack for 1965 twin reverb amp - Facebook
Most IR libraries focus on high-gain, closed-back 4x12 cabinets. Think Mesa Rectifier, Marshall 1960BV, or Orange PPC412. Those are fantastic for metal and hard rock. But the market for pristine, low-to-medium-gain IRs has historically been under-served.
The FTWN 212 D120 fills that gap with authority.
The -WAV- in the product name is a promise of universal usability. Here’s what you get:
Pro Tip: For the Fractal Axe-Fx III, use the 48kHz, 200ms version for real-time playing. For re-amping in a DAW, use the 96kHz, 500ms version for maximum fidelity.
Because the D120 is so articulate, every pedal nuance comes through. Your delay repeats stay clear. Your reverb trails shimmer. If you have a fuzz face, the FTWN 212 D120 captures the bias and sputter without muddying the waters.