VA Ultrasound Studio Rare Remixes Vol. 1-59 collection, released in
, is a massive compilation of extended and "UltraSound" branded remixes focusing heavily on 80s pop, Euro-disco, and Italo-disco. Overview of the Series
The series is known for providing significantly lengthened and "re-extended" versions of classic tracks, often tailored for DJs or audiophiles seeking rare edits. While the 2008 release specifically covers Volumes 1 through 59, the entire catalog includes hundreds of tracks. Release Year: 2008 (Full Set Vol 1-59) Total Content: Over 580 tracks spanning 75+ hours of music. Core Genres: Italo-disco, Synth-pop, 80s Euro-disco, and Retro Dance. Notable Track Highlights
The "Ultrasound" style typically involves extending the intro/outro and adding retro-inspired drum layers. Typical tracks found in these volumes include: Modern Talking:
Multiple extended versions of hits like "Brother Louie" and "Cheri Cheri Lady". Alphaville: Retro remixes of "Big In Japan" and "Sounds Like A Melody". "Living On Video (Extended Ultrasound Remix)". Baltimora: "Tarzan Boy (Extended Background Ultrasound Remix)". Pet Shop Boys: Ultra-long edits, such as the 12-minute version of "Rent". Collector's Guide
Because these are promotional or "DJ only" sets, they are rarely found in traditional stores. If you are looking for this specific 2008 collection, you can find them through these channels: DJ Repositories: Sites like DJ Pool Records often list the series for digital download. Archival Sites: Some volumes are archived for listening on platforms like or showcased in YouTube Playlists Specialty Vendors: Boutique sellers like Forthpalm Music va ultrasound studio rare remixes vol159 2008 top
sometimes offer "Backup CDs" or digital sets of specific volumes.
The album VA - Ultrasound Studio: Rare Remixes Vol. 159 (2008) is part of a large bootleg/unofficial series produced by the label Ultrasound Studio. This series is known for featuring long, often exclusive extended edits and remixes of 80s pop, disco, and Italodisco hits. Overview of the Series
Ultrasound Studio releases are typically unofficial compilations (often CDr or MP3-DVD format) that specialize in "Relonger" and "Extended" versions of classic tracks.
Format: While Volume 159 specifically is a 2008 entry, the series spans hundreds of volumes, sometimes collected in massive MP3 archives containing over 500 tracks.
Typical Content: The series frequently features artists such as C.C. Catch, Bad Boys Blue, Madonna, Samantha Fox, and Fancy. Volume 159 Details VA Ultrasound Studio Rare Remixes Vol
Specific tracklists for Volume 159 are often found on specialized fan forums or collectors' sites like Discogs or Mixcloud. Typical tracks in this timeframe (circa 2008) include:
Remix Style: Most tracks are labeled as "Ultrasound Extended Version," "Ultrasound Longer Mix," or "Ultrasound Relonger Special Remix".
Genre Focus: High-energy 80s dance, Euro-disco, and synth-pop.
What makes this volume stand out as the "Top" of the series? It’s the source material.
The "Rare Remixes" label in 2008 meant one thing: White labels and digital exclusives that never saw a vinyl pressing. These were tracks you could only hear if you were in a specific DJ’s crate or downloaded a 192kbps MP3 from a Rapidshare link that would expire in 30 days. Lost in the Mix: Unearthing the Magic of
Vol.159 specifically relies on three production techniques ubiquitous to 2008:
By: Archival Beats Magazine
In the golden age of digital crate digging—roughly 2005 to 2010—there existed a shadowy ecosystem of promotional CDs, digital vinyl systems, and server uploads that were never meant for the mainstream. Among the most elusive artifacts of this era is a specific entry: "VA – Ultrasound Studio Rare Remixes Vol.159 (2008 Top)."
If you search for that string of text today—va ultrasound studio rare remixes vol159 2008 top—you will find ghost links, dead Soulseek queues, and vague references on Russian trackers. But why is this specific volume so revered? Let’s break down the anatomy of a lost masterpiece.
Proxy’s original "Dance in Dark" was relentless. This remix takes the raw industrial energy and throws a filter over the entire track that opens up only during the last 32 bars. It’s an exercise in tension. Collectors argue that this version is superior to the released original because of the added sub-bass rumble at 2:44.
For modern producers, these compilations are a goldmine for samples. The way producers in 2008 chopped vocals or side-chained bass can provide inspiration for modern Tech House or Nu-Disco tracks.