Stossgebet Fur Meinen Hammer -hans Billian- Lov... !!top!! (iPhone)
Hans Billian's 1976 short film, Stoßgebet für meinen Hammer (also known as Pray for My Cock
), is a prime example of West German "sauna comedy" and erotic cinema. The 21-minute film follows a man disrupting a women's-only sauna, blending social commentary with 1970s erotic humor, featuring performers like Uschi Karnat and Christine Szenetra.
You can find more information about this film and its cast on its AI responses may include mistakes. Learn more Stoßgebet für meinen Hammer (Short 1976) - IMDb Stossgebet fur meinen Hammer -Hans Billian- Lov...
Feature Concept: “Stossgebet für meinen Hammer” – The “Hammer‑Prayer” Power‑Up
8. Quick Pitch (One‑Liner)
“Stossgebet für meinen Hammer – summon a thunderous prayer that temporarily turns your hammer into a divine wrecking‑ball, giving players a strategic, lore‑rich burst of power with a dash of humor.” Hans Billian's 1976 short film, Stoßgebet für meinen
The Aesthetic: Why Watch It Today?
Let’s be honest: you don’t watch Stoßgebet für meinen Hammer for the narrative coherence. You watch it for the time capsule.
- The Fashion: The polyester suits, the turtlenecks, the enormous sideburns. It is a museum of terrible, wonderful taste.
- The Music: A funky, groovy library soundtrack that sounds like a German session musician trying to imitate Isaac Hayes after three cups of coffee.
- The Innocence: Compared to modern internet culture, these films are almost quaint. The sex is simulated, the nudity is tasteful (if frequent), and the humor relies on puns and misunderstandings rather than explicitness.
Part 5: Where to Find This (Misremembered) Masterpiece
You will never find a film legally titled “Stossgebet fur meinen Hammer.” However, you can find its ghost. “ Stossgebet für meinen Hammer – summon a
Search for:
- Hans Billian’s Beichte einer Liebestollen (uncut DVD, limited German release 2005).
- The “Lovestories” box set (often mislabeled online as “Lov… Stories – Die wilden Jahre”).
- VHS-Rip archives from the 1980s, where video store owners manually re-titled films to sound more outrageous. One known cassette from “Video-Traum, Hamburg” listed Stossgebet… as a double feature with Josefine Mutzenbacher.
Warning: Do not expect high art. Expect grainy 16mm film, badly looped dialogue, mustaches, wood-paneled rooms, and a genuine, bizarre sincerity that only Hans Billian could muster.
