Jump to content

Rmu 1787 Grant Green | Idle Moments 1963 Rar Extra Quality

Grant Green's Idle Moments (1963) is widely considered a masterpiece of hard bop and soul jazz, representing a high-water mark for both the artist and the Blue Note Records label. Recorded in November 1963 at the legendary Van Gelder Studio, the album is defined by its languid, late-night atmosphere and the exceptional chemistry of an all-star ensemble. The "Accidental" Masterpiece

The album’s title track, "Idle Moments," is famous in jazz lore for its length. Originally intended to be a much shorter piece, the musicians—including Joe Henderson (tenor sax) and Bobby Hutcherson (vibraphone)—reportedly misunderstood the structure, leading to a sprawling 15-minute first take. Producer Alfred Lion was so captivated by the "special feeling" of this unhurried performance that he chose to keep it, making it the centerpiece of the album. Album Credits & Personnel

The session featured a "dream team" of musicians who would each go on to define the Blue Note sound of the 1960s: Idle Moments – Grant Green Review - All About Jazz

Is it Legal?

Technically, no. Downloading a RAR of copyrighted music from 1963 is copyright infringement. However, the audiophile argument is one of preservation. Because the 1963 master tapes are degrading, and because the vinyl is becoming brittle, these rips serve as a "time capsule" of how the music sounded to listeners in 1963.

Quick checklist for collectors

How to identify legitimate releases

5. For further research

Bottom line: No legitimate article will endorse or explain that exact RAR filename. If you love the album, support the artists (or their estates) via legal purchase/streaming. If you already own it legally, just use extraction software to open the RAR.

Grant Green’s "Idle Moments" (1963) is a definitive pillar of the Blue Note catalog, widely considered one of the most sublime recordings in jazz history. While the specific string of characters "rmu 1787... rar" likely refers to a specific digital archive or catalog identifier in collectors' circles, the music it contains represents a singular moment of serendipity where a technical error resulted in a masterpiece. The Happy Accident

The album is best known for its title track, a 15-minute slow-burning ballad. Originally, the piece was meant to be roughly seven minutes long to fit within the constraints of a standard LP side. However, during the session at Rudy Van Gelder’s studio in November 1963, a misunderstanding occurred:

The Error: Grant Green mistakenly soloed for 64 bars instead of the intended 32.

The Chain Reaction: Following his lead, soloists Joe Henderson, Bobby Hutcherson, and Duke Pearson all doubled their solo lengths as well.

The Result: Producer Alfred Lion recognized the "special feeling" of the take and chose to keep the nearly 15-minute version despite the length. This decision transformed the album from a standard hard bop session into a landmark of "dreamlike" atmospheric jazz. Musical Composition and Personnel

The album features an "all-star" lineup that balanced Grant Green’s blues-inflected, linear guitar lines with modern modal sensibilities:

Idle Moments by Grant Green, recorded in November 1963 and released in 1965 on Blue Note (BLP 4154), is frequently hailed as a masterpiece of hard bop and a standout entry in Green's extensive discography. The album is celebrated for its relaxed, atmospheric, and highly melodic nature, often cited as one of the best jazz guitar albums of the 1960s. Album Background and Recording Recording Date: Nov 4th & 15th, 1963. Rudy Van Gelder Studio, Englewood Cliffs, NJ. Alfred Lion. Personnel:

Grant Green (guitar), Joe Henderson (tenor sax), Bobby Hutcherson (vibes), Duke Pearson (piano), Bob Cranshaw (bass), Al Harewood (drums). The "Accident":

According to jazz lore, the 15-minute title track ("Idle Moments") is twice as long as intended because the musicians misunderstood the instructions and played the head (melody) twice instead of once, leading to a long, languid, yet spectacular jam. Grant Green - 2018 "5 Original Albums"

The string "rmu 1787 grant green idle moments 1963 rar" appears to be a specific search query or file identifier for a digital archive (often in format) containing the 1963 jazz masterpiece Idle Moments by guitarist Grant Green The Album: Idle Moments Recorded in November 1963 at the legendary Van Gelder Studio and released on Blue Note Records

, this album is considered a "desert island disk" for many jazz enthusiasts. It is a cornerstone of the Modal Jazz The Title Track

: The centerpiece is a slow, 15-minute composition in C minor. Its unusual length was actually an accident; a misunderstanding of the bar count led the musicians to solo for twice as long as planned. Producer Alfred Lion kept the take because of its "special feeling". The Lineup : The record features an elite ensemble: Grant Green Joe Henderson : Tenor Saxophone Bobby Hutcherson : Vibraphone Duke Pearson : Piano (and composer of the title track) Bob Cranshaw : Double Bass Al Harewood Understanding the Search Terms

: This is likely a catalog number or a unique ID from a specific digital archive or private collection.

: The year of the recording session (the album was officially released in 1965).

: Indicates a compressed archive file format commonly used for sharing high-quality digital music rips (like FLAC or high-bitrate MP3) on forums or file-sharing sites.

Grant Green's "Idle Moments" (1963) - A Masterclass in Soulful Jazz

Released in 1963, Grant Green's "Idle Moments" is a seminal album in the discography of the legendary guitarist, showcasing his unique ability to blend soulfulness, lyricism, and a deeply rooted sense of swing. This album, often cited as one of Green's most beloved works, not only highlights his mastery over his instrument but also serves as a quintessential representation of the Blue Note era, a period that was pivotal in shaping the sound of modern jazz.

The Making of a Jazz Classic

Recorded on April 24, 1963, at the Rudy Van Gelder Studio in Englewood Cliffs, New Jersey, "Idle Moments" brings together Green with a stellar ensemble consisting of pianist McCoy Tyner, bassist Paul Chambers, and drummer Jimmy Cleaves. This lineup, though not as frequently documented as some of Green's other collaborations, perfectly complements his playing style, offering a rich textural backdrop against which his guitar work can shine.

The album features five tracks, each providing a distinct mood and showcase for Green's versatile musicianship. From the introspective beauty of "Idle Moments" and "The End of a Honeymoon" to the more upbeat grooves of "Mel's Song" and "Tranquility," the album takes listeners on a journey through various emotional landscapes, all while maintaining a coherent and captivating narrative arc.

Grant Green's Musicality

Green's guitar playing on "Idle Moments" is characterized by its warm, full-bodied tone and an effortless melodic sense. Unlike some of his contemporaries who might have relied on rapid-fire virtuosity, Green's approach is deeply rooted in melody and feel. His solos are thoughtful and lyrical, often appearing as if he's having a conversation through his instrument. This approach not only endears him to listeners but also elevates the music to a level of accessibility and emotional resonance that few of his peers could match. rmu 1787 grant green idle moments 1963 rar

The Rhythm Section

The support from the rhythm section is equally crucial to the album's enduring appeal. McCoy Tyner's piano provides a lush harmonic landscape, his playing marked by a distinctive, slightly percussive touch that adds depth to the overall sound. Paul Chambers' bass lines are inventive and fluid, underpinning the group's performances with a sense of forward motion. Jimmy Cleaves' drumming, though sometimes under the spotlight, offers a sensitive and responsive framework that allows the music to breathe and evolve.

Legacy and Influence

"Idle Moments" stands as a pivotal work in Grant Green's discography and a cherished entry in the Blue Note catalog. It has influenced generations of musicians and continues to be a source of inspiration for those drawn to soulful, melodic jazz. The album's blend of introspection, emotional depth, and melodic richness sets a high standard for jazz guitar albums and remains a touchstone for musicians and listeners alike.

Conclusion

"Idle Moments" by Grant Green is a masterpiece of 1960s jazz, a record that continues to captivate audiences with its beauty, emotion, and musical integrity. For fans of jazz guitar, soulful melodies, and classic Blue Note recordings, this album is a must-listen. Its legacy, much like Grant Green's contributions to the world of jazz, endures as a testament to the power of music to move, inspire, and connect us across generations.

If you're looking to explore more of Grant Green's work or deepen your appreciation for the era, "Idle Moments" is an excellent place to start or revisit, offering insights into the evolution of jazz and the genius of one of its most beloved practitioners.

Album Details:

Tracks:

  1. Idle Moments - 9:38
  2. The End of a Honeymoon - 8:27
  3. Mel's Song - 6:23
  4. Tranquility - 6:46
  5. You're Just a Two-Faced Lover - 6:20

Rar and Digital Availability: For those interested in acquiring the album, "Idle Moments" is available on various digital platforms such as Spotify, Apple Music, and Amazon Music. Additionally, high-quality digital versions can be found on platforms like Bandcamp or through online music stores.

The rarity of the original vinyl pressing and the value it holds for collectors make "Idle Moments" a sought-after item, but its significance and availability ensure that new listeners can discover and appreciate Grant Green's genius.

Discovering the Timeless Jazz of Grant Green: "Idle Moments" (1963) Rar

The world of jazz is replete with legendary musicians, each leaving their indelible mark on the genre. Among them, Grant Green stands out as a pivotal figure, renowned for his distinctive guitar playing and contributions to the Blue Note label. One of his most celebrated albums, "Idle Moments," released in 1963, continues to captivate audiences with its blend of soulful melodies, intricate improvisations, and a laid-back vibe that defines the essence of hard bop. In this blog post, we'll dive into the significance of "Idle Moments" and why its rarity (rar) makes it a treasured find for jazz enthusiasts.

The Making of "Idle Moments"

Recorded on April 2, 1963, "Idle Moments" brings together Grant Green on guitar, Don Wilkerson on tenor saxophone, Mulgrew Coleman on piano, George Duvivier on bass, and Dannie Richmond on drums. This quintet delivers a performance that is both introspective and explosively creative, showcasing the mature and thoughtful approach Green had developed by this point in his career. The album's title, "Idle Moments," reflects the relaxed, almost casual demeanor of the music, which belies the technical prowess and deep musicality on display.

Tracklist and Musical Highlights

  1. Idle Moments - A beautiful, melancholic piece that sets the tone for the album, showcasing Green's lyrical guitar playing.
  2. The Look of Love - A lush rendition of the Burt Bacharach classic, featuring a captivating saxophone solo by Wilkerson.
  3. Matador - A more upbeat track, displaying the band's ability to swing and transition into high-energy jazz.
  4. Wistful - A short but sweet tune that highlights Coleman's piano work.
  5. Alone Together - A melancholic exploration of the standard, demonstrating Green's mastery of melodic improvisation.

The Rarity and Legacy of "Idle Moments"

Originally released as a vinyl LP on the Blue Note label (BLP 4164), "Idle Moments" has seen various reissues over the years, including CD formats and vinyl re-releases. However, original copies of this album, especially those in good condition, are highly sought after by collectors and can be quite rare (rar). The album's appeal lies not only in its beautiful music but also in its representation of a pivotal moment in Green's career and the hard bop movement.

Why "Idle Moments" Matters Today

"Idle Moments" offers listeners a glimpse into the evolution of jazz in the early 1960s, showcasing the personal and expressive qualities that defined Green’s playing style. For new listeners, the album serves as an excellent introduction to Grant Green’s work and the hard bop genre. For seasoned jazz fans, it provides a refreshing reminder of the genre's rich history and the musicians who helped shape it.

Conclusion

"Idle Moments" by Grant Green, released in 1963, remains a significant and enthralling jazz album that continues to attract listeners with its serene beauty and sophisticated musicality. Whether you're a longtime aficionado or just discovering the wonders of jazz, this album, though sometimes hard to find (rar), is a must-listen. Its exploration of melody, harmony, and improvisation encapsulates the spirit of jazz and cements Grant Green's legacy as one of the genre's most influential guitarists.

Where to Listen

For those interested in exploring "Idle Moments," the album is available on various music streaming platforms, including Spotify, Apple Music, and Amazon Music, as well as in physical formats through online marketplaces and specialty music stores.

Share Your Thoughts

Have you listened to "Idle Moments" by Grant Green? What are your favorite tracks or memories associated with this album? Let us know in the comments below! Grant Green's Idle Moments (1963) is widely considered

Stay Tuned

For more jazz reviews, rare finds, and musical explorations, be sure to subscribe to our blog and follow us on social media.

Uncovering the Hidden Gem: RMU 1787 Grant Green - Idle Moments (1963) RAR

Jazz enthusiasts, collectors, and music aficionados have long been searching for rare and elusive recordings to add to their collections. One such gem that has garnered significant attention in recent years is the RMU 1787 Grant Green - Idle Moments (1963) RAR. This highly sought-after album is a masterpiece of jazz music, and its rarity has only added to its allure.

The Artist: Grant Green

Grant Green was an American jazz guitarist and composer, born on June 6, 1930, in St. Louis, Missouri. He is widely regarded as one of the most influential and innovative guitarists in the history of jazz. Green's playing style, characterized by his use of chordal playing and simple, yet effective melodic lines, has been emulated by countless musicians.

Throughout his career, Green recorded numerous albums as a leader, and his work was featured on various labels, including Blue Note Records, on which he recorded some of his most iconic albums. Green's music often blended elements of hard bop, soul jazz, and post-bop, making him a versatile and sought-after musician.

The Album: Idle Moments

Idle Moments, released in 1963 on the Blue Note Records label, is one of Grant Green's most celebrated albums. The album features a unique blend of jazz standards, original compositions, and exploratory improvisations. The recording took place on April 24, 1963, at the Rudy Van Gelder Studio in Englewood Cliffs, New Jersey, and was produced by Alfred Lion, co-founder of Blue Note Records.

The album's original tracklisting includes:

  1. Idle Moments (Tommy Flanagan) - 17:00
  2. The Man I Love (George Gershwin, Ira Gershwin) - 9:58
  3. Wanderlust (Grant Green) - 6:35
  4. Matador (Sonny Rollins) - 7:44
  5. Reveille (Grant Green) - 7:26

The Rarity: RMU 1787

The RMU 1787 pressing of Idle Moments is an ultra-rare version of the album, highly prized by collectors and enthusiasts. The RMU (Reissue Mono Underground) series was a short-lived reissue program launched by Blue Note Records in the late 1990s, which featured mono versions of classic Blue Note albums. Only a limited number of copies were pressed, making these releases extremely scarce.

The RMU 1787 version of Idle Moments features a unique mono mix of the album, which offers a distinct sonic experience compared to the more widely available stereo versions. The mono mix, often praised for its warm and intimate sound, provides a fresh perspective on Green's masterful playing.

RAR: A Highly Sought-After Recording

The rarity of RMU 1787 has contributed to its cult status among jazz collectors. The combination of Grant Green's virtuosic guitar playing, the album's impeccable production, and the extreme scarcity of the RMU 1787 pressing has driven demand for this recording to new heights.

For serious collectors and enthusiasts, the RMU 1787 version of Idle Moments represents a Holy Grail of jazz collecting. As one of the most elusive and sought-after recordings in the world of jazz, it has become a prized possession among those lucky enough to have secured a copy.

Conclusion

The RMU 1787 Grant Green - Idle Moments (1963) RAR is a testament to the enduring power of jazz music. This ultra-rare recording offers a glimpse into the creative genius of Grant Green, one of the most influential jazz guitarists of all time. As a collector's item, Idle Moments (RMU 1787) has reached legendary status, and its allure continues to captivate music enthusiasts and collectors worldwide.

In the world of jazz, rare and exceptional recordings like RMU 1787 Idle Moments continue to inspire and captivate listeners. For those fortunate enough to experience this recording, it serves as a poignant reminder of the transcendent power of music to transport, inspire, and connect us.

Additional Information

Where to Listen

If you're interested in experiencing the magic of RMU 1787 Grant Green - Idle Moments, you may be able to find a copy through specialty record stores, online marketplaces, or music forums. Some online streaming platforms may also offer high-quality versions of the album, although these may not be the ultra-rare RMU 1787 pressing.

Final Thoughts

The RMU 1787 Grant Green - Idle Moments (1963) RAR is an unparalleled jazz treasure that continues to enthrall music enthusiasts and collectors. Its combination of exceptional musicianship, captivating compositions, and extreme rarity has solidified its place in the pantheon of great jazz recordings. For those who have the privilege of experiencing this album, it will undoubtedly leave a lasting impression and a deeper appreciation for the art form.

Grant Green’s Idle Moments (1963) stands as one of the most celebrated pillars of the Blue Note catalog, often cited by critics and fans alike as the definitive masterpiece of the hard bop and soul-jazz era. Recorded at the legendary Rudy Van Gelder Studio in November 1963 and released in early 1965, the album is a masterclass in mood, restraint, and collective improvisation. The Story Behind the Title Track

The album is best known for its nearly 15-minute title track, "Idle Moments," written by pianist Duke Pearson. The song's extraordinary length was actually an accident: Is it Legal

The Confusion: The band mistakenly repeated the main melody twice, leading to confusion over whether a chorus should be 16 or 32 bars.

The Decision: Producer Alfred Lion originally wanted a shorter version (around seven minutes) to fit standard radio and LP constraints.

The Result: The first take captured a "special feeling" that no subsequent attempt could replicate. To accommodate it, other tracks like "Jean De Fleur" and "Django" were re-recorded in shorter versions for the original vinyl release. Personnel: An All-Star Sextet

The album features a lineup of musicians who were either established stars or on the verge of massive careers:

The Unreleased Gem of 1963: Grant Green's "Idle Moments"

In the sweltering summer of 1963, saxophonist Grant Green laid down a series of sessions that would eventually become one of the most beloved and sought-after albums in jazz history: "Idle Moments". Recorded on April 24, 1963, at Van Gelder Studio in Englewood Cliffs, New Jersey, this album would showcase Green's mastery of the saxophone and his unique approach to soul jazz.

The story begins with Blue Note Records' Alfred Lion, who had been following Green's career with great interest. Lion had already released several of Green's albums, including "Sunday Mornin'" and "The Latin Sessions", and was eager to capture his sound on tape once again. For "Idle Moments", Lion paired Green with a talented rhythm section consisting of pianist Herbie Hancock, bassist Butch Warren, and drummer Tony Williams.

The album's title, "Idle Moments", was inspired by a phrase coined by Green himself. In an interview, Green explained that the title referred to those fleeting moments of introspection that occur when one is lost in thought. This concept would serve as the guiding force behind the album's laid-back, contemplative vibe.

The sessions were a productive and inspired affair, with the quartet delving into a mix of original compositions and standards. Green's solos on tracks like "The End of a Line" and "Idle Moments" are characterized by their warmth, lyricism, and effortless swing. Herbie Hancock's contributions on piano added a new layer of depth to the album, while Warren and Williams provided a rock-solid foundation on bass and drums.

Tragically, "Idle Moments" was not released immediately after its recording. Instead, it languished in the Blue Note vaults for over a year, as the label struggled to find a suitable place for it in their crowded release schedule. When it finally emerged in February 1965, the album received widespread critical acclaim, with many praising Green's sublime playing and the quartet's chemistry.

Today, "Idle Moments" is regarded as one of Grant Green's greatest achievements, a timeless classic that continues to inspire and influence musicians across genres. Its rarity and cult status have only added to its allure, making it a prized possession among collectors and jazz enthusiasts. The reissue of this album, often referred to as "RMU 1787", has allowed a new generation of listeners to experience the beauty and introspection of Green's music.

The mystique surrounding "Idle Moments" serves as a testament to the enduring power of jazz, an art form born from improvisation and spontaneity. As we continue to listen to and appreciate Grant Green's masterpiece, we are reminded of the magic that occurs when talented musicians come together to create something truly special.

The most fascinating aspect of Grant Green’s 1963 album Idle Moments is how its legendary 15-minute title track was a complete accident.

During the recording session at the Van Gelder Studio on November 4, 1963, producer Alfred Lion intended for the song to be a roughly seven-minute piece to fit standard LP constraints. However, due to a misunderstanding of the chorus length—specifically whether it consisted of 16 or 32 measures—Grant Green accidentally soloed for an extra 64 bars. The 64-Bar "Mistake"

Rather than cutting the session, the rest of the band—Joe Henderson (tenor sax), Bobby Hutcherson (vibes), and Duke Pearson (piano)—followed Green’s lead, doubling the length of their own solos.

The Result: A languid, dreamlike masterpiece that redefined the atmosphere of late-night jazz.

The Decision: Although Lion attempted a shorter retake, he realized the "mistake" take had a unique, unrepeatable feeling and decided to keep it as the centerpiece of the album. Musical Signature and Personnel

Recorded in 1963 but held for release until 1965, the album is a hallmark of the Blue Note hard bop era.

Grant Green's Tone: Green achieved his signature warm sound by maximizing the midrange on his amplifier while turning off the bass and treble.

Star Lineup: The session featured a rare chemistry between Green and a "star-studded" ensemble including Joe Henderson, Bobby Hutcherson, and Bob Cranshaw.

Experience the soulful, unhurried atmosphere of this jazz classic: Grant Green (1965) Idle Moments YouTube• Aug 8, 2025

Historical records such as the Catalogue of manuscript music from the British Museum provide context on how such significant musical manuscripts are preserved for future generations. For more information on the history of related figures from that era, you can visit the entry for Elizabeth Schuyler Hamilton on Wikipedia. Additionally, if you need to verify the authenticity of a recording or a related service, the IAF CertSearch can be used to validate certifications.

It sounds like you’re looking for a research paper, scholarly article, or academic analysis that connects:

To help you effectively:

  1. RMU 1787 is not a standard catalog number for Idle Moments (Blue Note BLP 4154 / BST 84154).

    • Could it be a pressing plant code, disc jockey copy marking, or library barcode?
    • Possibly from a university or radio station archive (e.g., “RMU” = Robert Morris University? Or a foreign pressing?).

  2. Idle Moments has been analyzed in jazz studies papers regarding:

    • Modal jazz, Blue Note’s production style (Alfred Lion, Rudy Van Gelder).
    • Grant Green’s guitar phrasing.
    • The title track’s unusual 6/8 feel and harmony.

  3. RAR – if you mean .rar compressed file, no academic paper would be about that directly, but perhaps you saw a downloadable RAR file containing a PDF of a paper about the album.

Possible next steps for you:

What “RMU 1787” likely means

×
×
  • Create New...