Rch Kimi Ngangkang Pamer Lubang Meki Id 13727799 Mangga - Indo18

RCH Kimi Ngangkang Pamer Lubang Meki ID 13727799 Mangga - INDO18: Understanding the Context

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RCH Kimi Ngangkang Pamer Lubang Meki – ID 13727799 (Mangga – INDO18)
An in‑depth look at the Indonesian mango variety that is gaining attention in both domestic markets and export channels. Online Identity : The string of characters appears

4.2. Community Perceptions

| Dimension | Positive Outcomes | Challenges | |-----------|-------------------|------------| | Identity & Belonging | 78 % of respondents reported “renewed pride” in local heritage; elders noted “seeing our stories on the walls” as validation. | Some youth expressed ambivalence, fearing “tourist‑ification”. | | Inter‑generational Dialogue | Workshops facilitated 15 documented skill‑transfer moments (e.g., weaving techniques). | Limited time slots constrained deeper engagement. | | Economic Impact | Small increase (≈12 %) in sales of ikat textiles during exhibition months. | No sustained market mechanisms established yet. | | Heritage Awareness | 90 % of participants could recount at least one oral epic after the exhibition (vs. 45 % pre‑exhibition). | Need for ongoing documentation to avoid loss after project ends. |

1.1. Background

Indonesia’s rural cultural heritage (RCH) remains a contested terrain where state‑led preservation policies intersect with grassroots cultural production. The Mangga district—characterised by a mosaic of Sundanese, Baduy, and Javanese traditions—has experienced rapid agricultural intensification and tourism‑driven development, threatening intangible cultural assets such as kain tradisional weaving, oral epics, and ritual performances. To better understand the context, consider the following:

In 2023, the local artist‑researcher Kimi Ngangkang launched “Pamer Lubang Meki”, a site‑specific exhibition staged within the abandoned lubang (sinkhole) of the Meki riverbank. The project’s title merges the Indonesian pamer (“exhibition”) with the local toponym Lubang Meki, invoking both a physical space and a metaphorical “hole” in collective memory.

1. Introduction