PluralEyes, a popular audio-to-video synchronization software developed by Red Giant, entered limited maintenance mode on 1 February 2023. As of 1 February 2024, it has been officially discontinued and is no longer being developed. Key Status Updates
Maintenance Status: The application is no longer receiving updates to ensure compatibility with newer host applications (like the latest versions of Premiere Pro or DaVinci Resolve) or operating systems.
Technical Support: Maxon, the current parent company, no longer offers technical support for the software.
Continued Use: Existing users can still use the software, but it is limited to the compatibility scope of its last stable release. Common Technical Fixes
If you are running older versions and encounter errors, here are common troubleshooting steps:
Media Preparation Errors: If you see a "media preparation complete with error" warning, look for a red indicator on specific clips. You can right-click and remove these problematic clips to allow the rest of the sequence to sync.
Premiere Pro Workflow: For users without the "Connector" extension, you can manually sync by exporting a Final Cut Pro XML from Premiere, importing it into PluralEyes, syncing, and then re-importing the synced XML back into Premiere.
For more detailed guides and alternatives, you can check the PluralEyes Knowledge Base or community tutorials on YouTube.
The PluralEyes Legacy: From Revolution to Maintenance Mode For over a decade, PluralEyes was the "magic button" for video editors, turning hours of tedious manual waveform alignment into a few seconds of automated bliss. Whether you were a wedding videographer or a music video director, the promise of an "exclusive" level of sync accuracy was what kept this tool on every workstation.
However, the landscape has shifted. As of February 1, 2023, PluralEyes officially entered Limited Maintenance Mode under its current owner, Maxon. The Evolution of the "Sync King"
The journey of PluralEyes is a timeline of innovation that redefined post-production workflows:
The Singular Era (2009): Born from Singular Software, PluralEyes 3.0 introduced a standalone interface that allowed editors to verify sync before ever touching their NLE.
The Red Giant Acquisition (2012): Red Giant took the reins, releasing PluralEyes 3.1, which expanded support for professional workflows and cross-platform compatibility. pluraleyes 31 exclusive
The Breakthrough Features: Versions like 3.5 and 4.0 introduced features that became industry standards:
Drift Correction: Fixing audio and video that gradually lost sync over long takes.
Music Video Workflow: Automatically consolidating multiple takes onto separate tracks while muting non-master audio.
GoPro Spanning: Seamlessly merging files from cameras that split long recordings into multiple clips. Why the "Exclusive" Era is Ending
The reason for PluralEyes' move to maintenance mode is simple: its revolutionary features have become standard. Most modern NLEs—including Adobe Premiere Pro, Final Cut Pro X, and DaVinci Resolve—now include native waveform syncing that rivals the core functionality PluralEyes pioneered. What This Means for Users Today
If you are still looking for that "PluralEyes exclusive" experience, here is the current status:
Maintenance Mode: PluralEyes 2023.0 is the final version. It will receive critical bug fixes but no new feature enhancements.
Compatibility: It is guaranteed to work with the OS and host applications (Premiere, FCP, etc.) supported at the time of the announcement, but future updates to those programs may break the plugin.
Availability: New features are now bundled into the Maxon One or Red Giant Complete subscriptions, though the standalone tool is no longer the primary focus.
For those who rely on specific features like audio drift correction or the highly-organized Music Video workflow, PluralEyes remains a powerful niche tool. But for most, the "exclusive" sync technology it once held is now just a standard right-click in your timeline. PluralEyes: Limited Maintenance Mode - Knowledge Base
PluralEyes 3.1 was a major update released by Red Giant in November 2012 that significantly expanded the software's professional capabilities, particularly for Mac-based editors. Known for pioneering the "waveform syncing" revolution, this version introduced features that streamlined high-end workflows before such tools were standard in editing suites. Key Exclusive Features of Version 3.1
"Do It For Me" Workflow: This feature automated the entire organizational process. Users could drag and drop clips into the interface as "Takes," and the software would automatically determine their relationship and sync them without manual input. PluralEyes 4 – The final standalone release
Avid Media Composer Support: 3.1 added the ability for Mac users to import and export synced timelines directly to and from Avid Media Composer.
Native MXF Support: To better handle professional camera workflows, this update introduced native support for MXF files within both Media Composer and Premiere Pro. Context and Current Status
PluralEyes was originally created to solve the "impossible sync" problems common with cameras like the Canon 5D Mark II, which captured high-quality video but lacked integrated professional audio.
Legacy Value: While modern editing software like Premiere Pro and DaVinci Resolve now have built-in waveform syncing, PluralEyes remained a "stalwart" for its ability to handle extremely difficult syncs and correct sync drift.
Discontinuation: As of January 31, 2023, PluralEyes entered a limited maintenance mode. Maxon (which acquired Red Giant) officially discontinued technical support for the product on February 1, 2024.
If you are looking for modern alternatives to replace the workflow originally popularized by PluralEyes 3.1:
Syncaila is often cited as a top professional alternative for automated multicam syncing.
Native tools in Premiere Pro, Final Cut Pro, and DaVinci Resolve now cover most basic waveform syncing needs.
If you want to know more about moving your workflow from PluralEyes to a modern NLE: Standard waveform syncing steps for your specific software Sync drift correction techniques without PluralEyes Managing multicam sequences in current editing suites PluralEyes to Enter Limited Maintenance Mode - Maxon
PluralEyes, the pioneering automated audio-syncing software developed by Singular Software and acquired by Red Giant, was officially moved into limited maintenance mode by Maxon in 2023. Following years of development culminating in version 4, the software was discontinued due to the adoption of native, high-performance waveform syncing tools within modern editing suites like Premiere Pro and DaVinci Resolve. Legacy installers remain available to current license holders through Maxon's support portal.
The last major standalone version released was PluralEyes 4. After that, Red Giant integrated its technology into Shutter Encoder? (No – correction) – Actually, Red Giant was acquired by Maxon, and PluralEyes' functionality was largely absorbed into Red Giant’s Offload and directly into editing hosts via improved built-in sync features.
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Slow-motion and high-frame-rate cinematography have always been a pain point for automated syncing. PluralEyes 31 Exclusive now supports sub-frame alignment down to 1/1000th of a second. Whether you are shooting 120fps on a Sony FX6 or 240fps on a Phantom camera, the software triangulates timecode drift automatically.
Let’s walk through a real-world example using the PluralEyes 31 Exclusive interface.
Step 1: Dump and Drop Open the stand-alone app. Drag your root "RAW_Footage" folder (containing 47 video clips and 12 WAV files) into the media pool. The new "Automatic Reel Detection" organizes files by timestamp, not just name.
Step 2: Enable Neural Sync In the settings panel, toggle "Neural Sync (Exclusive)" to "Maximum Accuracy." Select "Ignore Scratch Audio if below -40db." This forces the AI to use visual lip sync.
Step 3: The "Juggernaut" Run Click "Sync All." The 31 Exclusive engine spawns 16 threads (using your GPU’s Tensor cores). A 1-hour documentary with 400 clips synced in 4 minutes and 20 seconds on our test rig (M3 Ultra).
Step 4: Review and Export The interface highlights "Low Confidence" syncs in yellow. In our test, only 2 out of 400 clips were flagged (compared to 35 flags in PluralEyes 4). Export to DaVinci Resolve 19. The timeline opened with all audio nested and ready for color grading.
By: Technical Editor | October 2026
In the fast-paced world of video production, nothing kills creative momentum like the dreaded "sync beep" or a clapper that didn't quite make it into the frame. For over a decade, Red Giant’s PluralEyes was the industry gold standard for automatically syncing audio and video. But with the software’s absorption into the Maxon family and the rise of AI-driven workflows, the community has been clamoring for a revival.
Enter the PluralEyes 31 Exclusive – a leaked, unannounced build that promises to rewrite the rules of post-production audio synchronization. While Maxon has remained silent, our sources have obtained an exclusive early look at what version 31 brings to the table.
Is this the sync software you have been waiting for? Let’s tear it apart.
Here is what makes the PluralEyes 31 Exclusive build a potential game-changer.