
Danielle J. Navarro and David R. Foxcroft, Learning Statistics with jamovi: A Tutorial for Beginners in Statistical Analysis. Cambridge, UK: Open Book Publishers, 2025, https://doi.org/10.11647/OBP.0333
Read for freeLearning statistics with jamovi covers the contents of an introductory statistics class, as typically taught to undergraduate psychology students.
The book discusses how to get started in jamovi as well as giving an introduction to data manipulation.
Written in latex and published as a pdf file, for great design and easy access.

Descriptive statistics and graphing are followed by chapters on probability theory, sampling and estimation, and null hypothesis testing.
The book covers the analysis of contingency tables, correlation, t-tests, regression, ANOVA and factor analysis.
The book is open source licensed and is free to access and/or download.

The Naked Truth: Exploring the Boundless World of Jenny Scordamaglia and Miami TV
In the bustling landscape of modern media, few figures are as unapologetically themselves as Jenny Scordamaglia. As the founder and Vice President of Miami TV, Scordamaglia has built an entertainment empire that thrives on breaking boundaries, celebrating naturism, and exploring the depths of human consciousness. Who is Jenny Scordamaglia?
Born in New Jersey, Jenny Scordamaglia has transitioned from actress and producer—appearing in cult favorites like Bikini Swamp Girl Massacre and Hell Glades—to a global television personality. Alongside her husband and business partner, Enrique Benzoni, she leads a network that broadcasts to millions worldwide via cable, Smart TV, and mobile apps. A Target Audience Like No Other
The "target" of Miami TV isn't just one demographic; it's a global community of open-minded viewers. While the network is often associated with its naturist-friendly content—featuring shows like Naked Kitchens and Naked Yoga—it aims for a broader intellectual and spiritual connection. Jenny's programming often hits several key "targets":
Lifestyle & Entertainment: High-energy coverage of exotic festivals and vibrant city life around the globe.
Consciousness & Psychology: Deep-dive discussions on "Jenny Live" that tackle everything from sexology and gratitude to paranormal themes and the nature of the "Absolute".
Naturism Advocacy: Promoting a lifestyle of freedom and comfort in one's own skin, even founding the naturist village Energy Paradise Tulum in Mexico. Breaking the Mold
What makes Jenny and Miami TV a frequent "target" of media attention is their refusal to adhere to traditional broadcasting standards. By hosting talk shows that blend intellectual discourse with a "nothing to hide" physical philosophy, they have carved out a unique niche that challenges societal norms.
Whether she is discussing the sixth sense in Tulum or hosting interactive "Do You Dares" for her 343K+ YouTube subscribers, Jenny Scordamaglia remains a force of nature in the digital age—aiming for authenticity in a world of filters. If you'd like to dive deeper, I can: Jenny Live 1788
Title: The Unblinking Lens: Jenny Scordamaglia, Miami TV, and the Art of the Moving Target
Introduction: Beyond the Bikini
At first glance, the digital media landscape occupied by Jenny Scordamaglia and her platform, Miami TV, appears deceptively simple. The superficial observer sees a formula: a charismatic host, minimal clothing, maximal skin, and a backdrop of Miami’s hedonistic luxury. Yet to dismiss Scordamaglia’s work as mere soft-core clickbait is to miss a far more interesting story. For over a decade, she has executed a masterclass in niche survival, transforming from a conventional television personality into a multimedia guerrilla. This paper argues that the “target” of Miami TV is not a single demographic, but a moving, multi-layered construct—a deliberate fusion of the sensual, the entrepreneurial, and the conspiratorial—that challenges traditional boundaries between lifestyle broadcasting, adult entertainment, and alternative media.
Part I: The Genesis – From Local TV to Digital Renegade
Jenny Scordamaglia began her career in conventional Spanish-language television in Miami, a city saturated with beauty, real estate, and celebrity gossip. The traditional model was simple: the host is the conduit for a product (a show, a network). However, Scordamaglia identified a fundamental flaw in that model: the host’s value was owned by the network.
Her pivot to Miami TV (originally MiamiTV) in the early 2010s was an act of radical disintermediation. By moving her content online—first to YouTube, then to a proprietary pay-per-view and subscription model—she made herself the product. The “target” audience initially seemed obvious: heterosexual men drawn to her physical presentation. But Scordamaglia added an unexpected variable. She did not merely pose; she interviewed. Her segments, often filmed in a single, unbroken take while she cooked, ate, or exercised in revealing attire, created a raw, amateur aesthetic that felt antithetical to the glossy, produced world of Miami nightlife.
Part II: The Double Target – Sensuality as a Trojan Horse
Scordamaglia’s genius lies in her use of the male gaze as a delivery mechanism for a less expected payload: dense, often fringe, intellectual content. Her shows cover libertarian politics, cryptocurrency, psychedelic exploration, anti-establishment economics, and metaphysical spirituality.
This creates a two-stage targeting system:
For a subset of viewers, this dissonance is transformative. They came for the aesthetic but stayed for the argument. For others, it is confusing or even alienating. Yet, by targeting both the libido and the intellect simultaneously, Scordamaglia has carved out a unique psychographic niche: the libertine-intellectual. This is a target no mainstream network would risk pursuing.
Part III: The Controversial Target – The QAnon and Wellness Crossover
In recent years, the “target” of Miami TV has shifted into more dangerous and contested territory. Scordamaglia has embraced elements of the “alternative wellness” and “sovereign individual” movements, which often intersect with far-right conspiracy theories. Her promotion of raw meat diets, aversion to pharmaceuticals, and critiques of “the system” have drawn accusations that she is a gateway into harder-edged spaces like QAnon or sovereign citizen ideology. Miami TV - Jenny Scordamaglia Target
Here, the target becomes the disenfranchised searcher—individuals who feel failed by mainstream media, medicine, and politics. Scordamaglia presents herself as a truth-teller, using the same unfiltered, one-take aesthetic to discuss chemtrails, pedophile rings, and financial freedom. Critics argue she is a cynical opportunist, wrapping dangerous ideas in appealing packaging. Supporters claim she is a brave iconoclast. Regardless, this pivot demonstrates her core skill: the ability to identify a neglected, hungry audience and move directly toward it, regardless of platform risk.
Part IV: Business Model as Content – The Ultimate Target
Perhaps the most interesting “target” of Miami TV is the viewer’s wallet. Scordamaglia has perfected the direct monetization of intimacy. Unlike mainstream influencers who rely on brand sponsorships (which would flee from her content), she uses a hybrid model:
Her target is the “un-bankable” fan—someone willing to pay directly for unfiltered access, bypassing the advertising economy entirely. This model is a textbook case of “passion economy” taken to its extreme. She has essentially built a closed-circuit television network for a paying tribe, where the product is her unmediated presence.
Conclusion: The Unmissable Target
Jenny Scordamaglia and Miami TV are not a fringe anomaly; they are a prophetic archetype. In a media landscape fragmented into echo chambers, she has built a channel by targeting the intersection of three rarely overlapping circles: erotic display, intellectual libertarianism, and conspiratorial wellness. Whether one finds her liberating or repugnant, she is undeniably effective.
The “target” of Miami TV is ultimately a mirror. It reflects the viewer’s own hierarchy of needs—prurient, intellectual, spiritual, or paranoid. By refusing to separate these drives, Scordamaglia has created a media entity that is both deeply vulnerable (entirely dependent on her persona) and remarkably resilient (immune to cancellation, because her audience pays her directly). In the future, more creators will follow her playbook: find the forbidden overlap, aim for the uncomfortable intersection, and never, ever blink.
Suggested Further Research:
Miami TV was originally founded in 2007 by Enrique Benzoni, adopting a format that was revolutionary for its time: a completely interactive, internet-based television station. Based out of the vibrant, party-centric backdrop of Miami, Florida, the channel aimed to capture the city's nightlife and festival culture.
However, it was the introduction of Jenny Scordamaglia, who eventually became the station’s Vice President and lead anchor, that shifted the channel’s trajectory from a local lifestyle station to a global viral sensation. The channel positioned itself as a "variety" station, covering events, art shows, music festivals, and travel destinations. But the content was less about the events themselves and more about the unique presentation style of its host. The Naked Truth: Exploring the Boundless World of
More alarmingly, the phrase “Target” has been used in reference to a specific threat level against the host. In the fall of 2022, Miami TV released a security statement noting that Jenny Scordamaglia had become the target of a coordinated doxxing and swatting campaign.
The Incident: According to archived live streams, an unknown individual (or group) using the handle “CleanTV” began targeting Scordamaglia’s home address and broadcasting it during her live shows. The individual argued that Miami TV was “corrupting Miami’s family image.” The harassment escalated to the point where Miami Police were dispatched to her studio multiple times for false reports of hostage situations (swatting).
The Aftermath: During a particularly tense livestream in January 2023, Scordamaglia held up a printed email that read: “You are a target. We will shut you down.” She alleged that conservative religious groups and competitors in the adult streaming space were jointly behind the campaign. While no arrests were made publicly, the incident cemented the narrative that Jenny Scordamaglia is a “prime target” for moral vigilantes.
Because the brand is "Miami TV," many locals mistakenly believe she is on public airwaves. She is not. However, complaints have been filed with the City of Miami and Miami-Dade County regarding public decency when the show films outdoors. Jenny has been "targeted" by local business owners and religious groups who argue that her live streams from South Beach or Brickell create a public nuisance.
Furthermore, there is a persistent internet rumor (largely unsubstantiated) that the FBI or the FCC has a "target" on Miami TV for operating "too close" to the line of broadcast decency, despite operating online. This rumor fuels the SEO term, suggesting a federal investigation that—so far—has not materialized beyond cease-and-desist letters from certain payment processors.
In early 2024, a curious phenomenon occurred on X (formerly Twitter). The hashtag #TargetJenny began trending locally in Miami. At first, users thought it was about shopping at Target stores. Instead, it was a mass reporting campaign.
The Allegation: Anti-fans (often called “haters” by her base) began posting clips of Miami TV out of context, claiming Scordamaglia was engaging in illegal public indecency. They encouraged followers to report her Instagram and YouTube channels, effectively putting a digital “target” on her back.
The Counter-Movement: Her fans, known colloquially as the “Miami Tribe,” hijacked the hashtag. They rebranded it to #TargetJennyForSuccess, posting photos of her billboards and streaming numbers to prove that despite being a target for hate, her viewership was rising.
As of this writing, Scordamaglia has lost three Instagram accounts due to community guideline strikes. She now primarily streams on her proprietary Miami TV app, which is immune to big-tech moderation. This cat-and-mouse game reinforces the "target" narrative: The establishment targets her; she escapes; she claims victory.
