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Manifesto Das Sete Artes Ricciotto Canudo.pdf Fix Instant

In his seminal 1923 Manifesto of the Seven Arts, Ricciotto Canudo defined cinema as a "total art" and "plastic art in motion," synthesizing the spatial arts (architecture, sculpture, painting) with rhythmic arts (music, poetry, dance). By reconciling these forms, Canudo moved beyond viewing film as a mere spectacle, positioning it as the supreme seventh art. Learn more about the history of the seven arts on Medium.

What were the seven arts of Ricciotto Canudo? - Dangerous Minds

Written by Ricciotto Canudo in 1911, the Manifesto of the Seven Arts

established film as a "total art" by synthesizing plastic arts (architecture, sculpture, painting) and rhythmic arts (music, poetry, dance). Canudo coined the term "The Seventh Art" to describe cinema, cementing its role as a "plastic art in motion" that captures the maximum mobility of life. For further reading, see this analysis of the manifesto from What were the seven arts of Ricciotto Canudo?


3. The Synthesis: Dance and Cinema

Canudo initially placed Dance as the 6th Art (the union of music and poetry in time). However, in the definitive manifesto, he declared Cinema as the Seventh Art.

Why the seventh? Because cinema does what no other art can do alone. It takes the spatial arts (painting, sculpture) and the temporal arts (music, poetry) and merges them through movement, light, and rhythm. Cinema is the Apollonian synthesis—the perfect marriage of the visual and the lyrical. Manifesto Das Sete Artes Ricciotto Canudo.pdf

"Cinema is the total art, the one that finally realizes the ancient dream of a complete expression of life." — Ricciotto Canudo (paraphrased from the PDF)


Notas de Contexto:

  • O Argumento de Canudo: Ricciotto Canudo (1877–1923) foi um teórico de cinema italiano radicado em Paris. Seu ensaio é fundamental para a história do cinema porque argumentava que o cinema não era apenas uma "indústria" ou uma forma barata de entretenimento de feira, mas uma nova forma de expressão artística legítima.
  • Espaço vs. Tempo: A divisão clássica que ele utiliza é:
    • Artes do Espaço (Estáticas): Arquitetura, Escultura, Pintura.
    • Artes do Tempo (Dinâmicas): Música, Dança, Poesia.
    • A Síntese: O Cinema (a sét

The Manifesto das Sete Artes (Manifesto of the Seven Arts) is a seminal theoretical text written by Ricciotto Canudo in 1911 (though significantly revised and published in 1923). It is most famous for officially establishing cinema as the "Seventh Art". Summary of Key Concepts

Canudo argued that cinema is a "total art" that synthesizes the two main categories of human expression:

Plastic Arts (Space): Architecture, Sculpture, and Painting. Rhythmic Arts (Time): Music, Poetry/Literature, and Dance.

He viewed cinema as a "fabulous newborn of the Machine and Sentiment," combining technical scientific progress with artistic ideal to capture and fix the rhythms of light. The Classification of Arts In his seminal 1923 Manifesto of the Seven

The manifesto established the following order, which is still widely referenced today: Music (Sound) Dance (Movement) Painting (Color) Sculpture (Volume)

Architecture (Space - sometimes listed earlier in the hierarchy) Poetry/Literature (Word) Cinema (The synthesis of all the above) PDF Resources

You can find full versions of the manifesto in various languages through these academic and archival sources:

Portuguese: A digital version is available on Scribd - Manifesto das Sete Artes.

Spanish: A widely cited PDF hosted by U-Cursos (University of Chile) or Susana Clavero's Educational Archive. "Cinema is the total art, the one that

French (Original Context): The text in its 1923 form can be read on Filosofia.org. Manifesto Das Sete Artes (Canudo) | PDF - Scribd

Ricciotto Canudo's "Manifesto of the Seven Arts" (1923) established cinema as a "Total Art" that synthesizes the plastic arts (space) and rhythmic arts (time). Canudo, who founded the first cinema club, defined film as "plastic art in motion" and coined the term "seventh art" to describe it. A full copy of the document can be accessed at

1. The Plastic Arts (Space)

These are arts that exist in space:

  • Architecture (The first art)
  • Sculpture (The second)
  • Painting (The third)

3.3. The Intellectual Emotion

Canudo makes a crucial distinction regarding the audience's experience. He contrasts the "sensory" emotion of theater with the "intellectual" emotion of cinema.

  • Theater relies on the physical presence of the actor, which stimulates a physiological reaction.
  • Cinema, being a projection of light and shadow, stimulates the intellect. It is a "dream" or a "hallucination" created by light. Because it is an image, not a body, the viewer projects their own soul onto the screen, making the experience deeply internal and cerebral.