Laura Fygi - The Best Is Yet To Come -flac- -2011- «2026 Release»

The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi

, released in February 2011 to celebrate her 20th anniversary as a solo artist. This project marks a significant milestone in her career as her first recorded session featuring a full-sized big band. Album Overview

Produced and arranged by her long-time collaborators Jan Menu and Johan Plomp, the album finds Fygi interpreting a selection of classics from the Great American Songbook. She chose songs originally made famous by her idols, including Frank Sinatra, Tony Bennett, and Julie London, focusing on tracks that allowed her to showcase her "storyteller" vocal style. The album was released through T2 Entertainment in the Netherlands and Universal Music

in Taiwan, where it included a Mandarin-language bonus track. Amazon.com

The standard release contains 12 tracks, while regional editions often include a 13th bonus track. Apple Music The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Amazon.com Critical Reception

Critics praised the album for its lush production and Fygi's "velvety" vocal delivery.

noted that the big band setting allowed her to "swing easy" while maintaining her signature intimacy. Particular highlights mentioned by reviewers include the "scorching" brass line on "Too Darn Hot" and the reimagined, slow-burn version of "Fever". or more details on Laura Fygi's discography Laura Fygi: The Best Is Yet to Come - JazzTimes

Laura Fygi: The Best Is Yet To Come (2011) Released in February 2011, The Best Is Yet To Come is the 12th solo album from Dutch jazz vocalist Laura Fygi . This milestone release marked the 20th anniversary

of her solo career and stands out as her first full-length recording accompanied by a large big band. Album Overview

Produced and arranged by Jan Menu and Johan Plomp, the album features Fygi’s interpretations of jazz standards popularized by legends like Frank Sinatra, Tony Bennett, and her personal idol, Julie London. Critics have noted that the arrangements evoke the "cool jazz" era of the 1950s and 60s, drawing stylistic comparisons to the work of

The album consists of 12 classic standards, with certain regional releases (such as the Taiwan and China versions) including a Mandarin-language bonus track. The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Bonus Track - Mandarin version) Critical Reception

The album received positive reviews for its high production value and Fygi’s sophisticated vocal delivery.

praised the reimagining of "Fever" as a "three-alarm blaze" and noted the smart placement of Fygi within big band settings that showcased her interpretive skills. Technical Details

For audiophiles, the album was released across various high-fidelity formats. While the standard release was on CD via T2 Entertainment Universal Music

, it has since become a popular title in lossless digital formats like

due to the rich, dynamic range of the big band orchestration. from this era or see more details on Laura Fygi's earlier discography Laura Fygi: The Best Is Yet to Come - JazzTimes

Released in 2011, The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi. It stands as a significant milestone, marking the 20th anniversary of her solo career.

While Fygi had explored various genres—including Latin, chanson, and pop—this album was a fulfillment of a long-term professional dream: recording with a full-sized big band. 🎶 The Musical Concept

The album is a high-fidelity tribute to the "Golden Age" of jazz, featuring sophisticated arrangements of Great American Songbook standards.

The Big Band Sound: Arranged and produced by Jan Menu and Johan Plomp, the settings were designed to recall the iconic collaborations of Frank Sinatra and Peggy Lee with legendary arrangers like Billy May.

Vocal Style: Fygi, often compared to Julie London for her "husky" and intimate tone, utilized this album to showcase a wider range and sharper interpretive skill than her previous, more minimalist works. 📜 The Tracklist Story

Every song on the album was selected because it held a personal meaning for Fygi, who considers herself a "storyteller" first. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-

"Too Darn Hot": Fygi famously drew on her experiences performing in the intense heat of Asia to capture the essence of this Cole Porter classic.

"Rose, Rose, I Love You": A standout bonus track on certain editions, she performs this classic partially in Mandarin, a nod to her massive popularity in the Asian market where she is often hailed as a "Jazz Queen".

"Smile": A heartfelt rendition of the Charlie Chaplin standard, featuring a trumpet solo by Ruud Breuls. 💎 The Audiophile Connection Laura Fygi – The Best Is Yet To Come - Discogs

Here’s a suggested text suitable for a catalog, review, or personal music library note regarding Laura Fygi - The Best Is Yet To Come (FLAC, 2011):

Laura Fygi – The Best Is Yet To Come (2011, FLAC)

Dutch jazz vocalist Laura Fygi delivers a warm, sophisticated listening experience with her 2011 album The Best Is Yet To Come. True to its title, the record radiates optimism and timeless elegance, blending classic jazz standards with carefully chosen pop and bossa nova influences.

This FLAC version preserves the full richness of Fygi’s contralto voice—velvety, controlled, and intimately expressive. Backed by lush, unobtrusive arrangements, tracks like the title song “The Best Is Yet To Come,” “Bésame Mucho,” and “I Only Have Eyes for You” benefit from the lossless format’s clarity, revealing subtle instrumental detail (warm double bass, soft brushwork, delicate piano phrasing) that might be lost in compressed formats.

For audiophiles and jazz-pop enthusiasts, this 2011 release marks a confident, mature chapter in Fygi’s career—proof that even when revisiting classics, the best can indeed be yet to come.

Recommended for: evening listening, vocal jazz collections, FLAC-based high-fidelity setups.

Reviews and Reception

The album received positive reviews for its smooth and soulful renditions of timeless classics. Critics praised Laura Fygi's vocal performance and the album's production quality.

The 2011 FLAC Edition – Audiophile Analysis

This is where the review turns critical. The FLAC release (typically 16-bit/44.1kHz or 24-bit/96kHz depending on vendor) offers a significant upgrade over standard MP3 or even the original CD, but with caveats.

The Good:

The Caveats:

Verdict on FLAC: If you own decent headphones or a revealing hi-fi system (think studio monitors or planar magnetics), the FLAC version is definitely the way to hear this compilation. The increased transparency serves Fygi’s quiet dynamics well. On a smartphone with earbuds, you won’t hear a meaningful difference from a 320kbps MP3.

Metadata & Sample Tracklist (example)

| # | Title | Length | Composer(s) | Notes | |---|---:|---:|---|---| | 1 | The Best Is Yet To Come | 3:45 | Cy Coleman/N. Holofcener | Title track; smooth jazz arrangement | | 2 | Moon River | 4:10 | H. Mancini/J. Mercer | Intimate vocal phrasing | (Replace with exact track names/times from album master.)

Context & Artist Background

Dutch jazz vocalist Laura Fygi has long occupied a unique space between sophisticated pop, Latin jazz, and traditional torch song balladry. By 2011, Fygi was already a well-established name in European and Asian audiophile circles, known for her warm, slightly smoky contralto and impeccable phrasing. The Best Is Yet To Come is not a new studio album but a carefully curated compilation spanning her work from the mid-1990s to the late 2000s. Released in CD and high-resolution digital formats, the 2011 FLAC version is particularly significant, as it caters directly to the high-fidelity market that Fygi’s lush, acoustic-driven sound so richly rewards.

Conclusion: Is the FLAC Version Worth It?

If you own the CD, you can rip it to FLAC yourself (using Exact Audio Copy or dBpoweramp) and effectively have the same -2011- master. But if you only have an MP3 or an AAC stream, upgrading to Laura Fygi - The Best Is Yet To Come -FLAC- -2011- is a revelation.

The album is not about sonic fireworks or deep bass drops. It is about subtlety, nuance, and emotional truth. And those qualities are fragile—easily lost in lossy compression. Hearing Laura Fygi’s voice in FLAC is like removing a light fabric from a painting. The colors become richer, the brushstrokes clearer, the artist’s intent intact.

So, whether you are a longtime fan rediscovering the album or an audiophile hunting for the perfect vocal reference track, seek out the 2011 FLAC release. Because, as the song promises, the best is yet to come—and in lossless audio, it has already arrived.

Final technical note for archivists: The standard FLAC fingerprint for the 2011 CD release of The Best Is Yet To Come (T2 Entertainment, cat. no. T2CD 003) is 16-bit, 44.1 kHz, with a total length of 54 minutes and 12 seconds. Verify your file’s spectrogram in Spek; a genuine FLAC will show frequencies extending cleanly to 22.05 kHz (Nyquist limit). MP3 transcodes will show a sharp cut-off at 20 kHz or lower. Happy listening.

Technical Details

Conclusion

"The Best Is Yet To Come" by Laura Fygi is a delightful album for fans of smooth jazz and pop standards. Its FLAC format ensures high-quality audio for listeners who appreciate lossless music. The Best Is Yet To Come is the

Laura Fygi's 2011 album "The Best Is Yet To Come" is a masterful blend of jazz, pop, and world music influences, showcasing the Dutch singer's incredible vocal range and emotional depth. The album, which features 12 tracks, including the iconic title track, is a testament to Fygi's enduring talent and dedication to her craft.

From the opening notes of the album's first track, "The Best Is Yet To Come," it's clear that Fygi is on a mission to deliver a memorable and impactful listening experience. Her voice, which effortlessly glides between sultry and soulful, is perfectly suited to the album's eclectic mix of styles. Whether she's interpreting a timeless standard or delivering an original composition, Fygi's vocal delivery is always characterized by its remarkable expressiveness and nuance.

Throughout the album, Fygi draws inspiration from a wide range of sources, incorporating elements of jazz, blues, and world music into her songs. The result is a richly textured sound that is both timeless and contemporary. Tracks like "Rain" and "Feelin' Alright" showcase Fygi's ability to craft memorable melodies and hooks, while songs like "Lover's Prayer" and "Clair de Lune" demonstrate her impressive vocal range and control.

One of the standout features of "The Best Is Yet To Come" is Fygi's incredible interpretive ability. Whether she's singing a familiar standard or an original composition, she always seems to find a way to make the lyrics her own. Her vocals on tracks like "The Nearness of You" and "It Don't Mean a Thing" are particularly noteworthy, as she brings a deep understanding and emotional resonance to these timeless classics.

The album's production is also noteworthy, with Fygi working with a range of talented musicians and producers to create a rich and immersive sound. From the lush orchestral arrangements on "Lover's Prayer" to the stripped-down intimacy of "Rain," the album's sonic landscape is varied and engaging.

Overall, "The Best Is Yet To Come" is a truly exceptional album that showcases Laura Fygi's remarkable talent and artistry. With its eclectic mix of styles, memorable melodies, and impressive vocal performances, it's an album that will appeal to fans of jazz, pop, and world music alike. As the title track suggests, the best is indeed yet to come from this gifted artist, but for now, this album is a must-listen for anyone who appreciates great music.

Musically, the album can be characterized by:

The essay can be wrapped up with this thought:

Laura Fygi's "The Best Is Yet To Come" stands as a testament to her artistry and musical prowess. A must-listen for fans of jazz and beyond.

Released in 2011, The Best Is Yet To Come marks the 20th anniversary of Laura Fygi's solo career and is her 12th studio album. It is notable for being her first ever recorded session with a big band, moving away from her typical small-ensemble jazz and pop settings. Album Overview

Produced by Jan Menu and Johan Plomp, the album features 13 tracks of classic standards from the Great American Songbook. The arrangements are designed to evoke the classic big band era of Frank Sinatra and Peggy Lee. Release Date: January 1, 2011 Label: T2 Entertainment / Out Of The Blue Genre: Vocal Jazz / Pop

Format Quality: FLAC (Free Lossless Audio Codec) is a common high-fidelity format for this album, often found in 16-bit/44.1kHz quality to preserve the sultry, "velvety" nuances of Fygi's voice. The album consists of 12 standards and a bonus track: FYGI,LAURA - The Best Is Yet to Come - Amazon.com Music

Laura Fygi: The Best Is Yet to Come (2011) The 2011 album The Best Is Yet to Come represents a landmark moment in the career of Dutch jazz vocalist Laura Fygi, marking the 20th anniversary of her solo debut. Known for her sultry, "velvety" voice and multicultural heritage, Fygi transitioned from a 1980s pop career with the group Centerfold to become a globally recognized jazz icon. This release stands out as her first full-length recording backed by a traditional big band, fulfilling a long-held artistic ambition. Artistic Direction and Production

Produced and arranged by long-time collaborators Jan Menu and Johan Plomp, the album features a lush, expansive sound that pays homage to the mid-century swing era. Fygi’s approach on this record has been compared to the understated elegance of Julie London and the sophisticated swing of Peggy Lee.

Big Band Setting: The arrangements utilize a full-sized orchestra, providing a "scorching" backdrop for standards that Fygi had previously performed live but never captured in a studio big band setting.

Storytelling Approach: Fygi identifies as a "storyteller," choosing tracks from the Great American Songbook that allow her to convey deep emotional narratives, such as the heartbreak in "It’s Easy to Remember". Key Tracks and Highlights

The album's tracklist consists primarily of jazz and pop standards made famous by legends like Frank Sinatra and Tony Bennett.

"The Best Is Yet to Come": The title track sets an optimistic tone, showcasing the "unbridled enthusiasm" and "passion" of the studio sessions.

"Too Darn Hot": A high-energy performance supported by a brass-heavy drum line reminiscent of Buddy Rich.

"Smile": A softer, more contemplative interpretation that leans into a "clouded grey" atmosphere rather than pure optimism.

"Rose, Rose, I Love You": A notable inclusion featuring Fygi singing in Mandarin, reflecting her significant success and popularity in the Asian market. Technical Context (FLAC/Audiophile) Laura Fygi – The Best Is Yet To

For enthusiasts seeking the -FLAC- (Free Lossless Audio Codec) version, this album is a prime candidate for high-fidelity listening. Critics have praised the "top-notch" musicianship, specifically highlighting individual solos like Hans Vroomans’ piano on "Old Devil Moon" and Maarten van der Grinten’s guitar on "That Old Black Magic". The lossless format preserves the intricate dynamics of the big band arrangements and the subtle nuances of Fygi's intimate vocal delivery. The Best Is Yet to Come: Amazon.co.uk: CDs & Vinyl

Laura Fygi - The Best Is Yet To Come (2011) is a landmark release marking the 20th anniversary of Fygi's solo career. As her 12th studio album, it notably represents her first-ever full recording session backed by a complete Album Overview

The album features Fygi's interpretations of timeless jazz standards originally popularized by icons like Frank Sinatra, Tony Bennett, and Peggy Lee

. Recorded with a full-sized big band led by arrangers Jan Menu and Johan Plomp, the production captures a grand, classic sound that Fygi had long desired to capture on record. Frequently sought in FLAC (Free Lossless Audio Codec)

to preserve the rich, audiophile-grade detail of the big band arrangements. Mandarin Special:

The album includes a unique Mandarin-language bonus track, " Rose, Rose, I Love You Tracklist Highlights

The album delivers 13 tracks that blend smooth vocal jazz with high-energy big band swing. The Best Is Yet To Come (Title Track)

– A reimagined, softer version of the Charlie Chaplin classic. Too Darn Hot

– Features a scorching brass section inspired by the style of Buddy Rich. I've Got A Crush On You This Can't Be Love Cheek To Cheek

– Distinctly re-imagined as a "three-alarm blaze" rather than a simple Peggy Lee imitation. That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Why It's a Must-Listen

Reviewers highlight Fygi's ability to maintain her "feisty sense of self-reliance" while swinging easily through these grand arrangements. Her voice, often compared to Julie London

for its smoldering intensity, takes on a broader range in this big-band setting, making it a standout for fans of traditional vocal jazz and high-fidelity recordings. Further Exploration

Read a professional review of the album's vocal style and arrangements at View the full release credits and track durations on

Explore Laura Fygi's thoughts on the "storytelling" aspect of these songs on Amazon Music Laura Fygi's other jazz collaborations or where you can find her live performances Laura Fygi: The Best Is Yet to Come - JazzTimes

Released in 2011, "The Best Is Yet to Come" is the 12th studio album by Dutch jazz vocalist Laura Fygi. It is a landmark release in her career, marking the 20th anniversary of her solo debut and serving as her first-ever session recorded with a full-sized big band. Album Overview Laura Fygi – The Best Is Yet To Come - Discogs

Released in 2011, The Best Is Yet to Come marks a significant milestone in Laura Fygi's

solo career, celebrating her 20th anniversary as a solo artist.

This 12th studio album is her first full recording featuring a

, a long-held wish inspired by her live performances in Asia Musical Direction and Production

The album was produced and arranged by Jan Menu and Johan Plomp, long-time members of Fygi’s band. Critics have noted that the arrangements evoke the classic style of Billy May and Neal Hefti, placing Fygi in a sonic landscape similar to legends like Peggy Lee and Frank Sinatra.

Fygi, often described as a "storyteller," selected standards that resonated personally with her. The production highlights her sultry, velvety vocals, which have been compared to the intimacy of Julie London but with the "feisty self-reliance" of Peggy Lee. Standard Tracklist The album primarily features selections from the Great American Songbook The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Bonus track sung in Mandarin) Amazon.com FLAC and Audio Quality While the original release was on CD, the

version is highly sought after by audiophiles for its lossless quality, preserving the intricate "real music" nuances of the big band orchestration. Listeners have praised the passion felt in the audio, particularly the piano work of Hans Vroomans and the guitar solos by Maarten van der Grinten. where to purchase this album in high-resolution or a list of similar jazz vocalists Laura Fygi: The Best Is Yet to Come - JazzTimes