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Bernardo Bertolucci’s 1979 film (also known as ) is a highly controversial and visually lush drama exploring themes of addiction, identity, and taboo relationships. It follows an American opera singer, Caterina (Jill Clayburgh), who travels to Italy with her teenage son, Joe (Matthew Barry), after the sudden death of her husband. Key Plot and Themes Addiction and Isolation
: Upon moving to Rome, Caterina discovers her lonely son has developed a severe heroin addiction. The Oedipal Taboo
: In a desperate and misguided attempt to bond with and "save" her son from his drug habit, Caterina enters into an incestuous relationship with him. Search for the Father
: The narrative serves as an Oedipal search for Joe’s biological father, whom he eventually tracks down in Italy. Operatic Grandeur
: The film is noted for its "operatic" style, using music (specifically Verdi) and sumptuously lit Italian settings captured by renowned cinematographer Vittorio Storaro.
Bernardo Bertolucci’s 1979 film is a provocative and visually lush drama that explores the complex, taboo-shattering relationship between a mother and her son. While the film is available to stream on platforms like
, its "interesting story" lies in its bold thematic choices and operatic style. Plot Overview
The story follows Caterina Silveri (Jill Clayburgh), a successful American opera singer. After the sudden death of her husband, she moves to Italy for a concert tour, taking her alienated teenage son, Joe (Matthew Barry), with her. la luna 1979 movie ok.ru
The narrative shifts as Caterina discovers Joe is struggling with a severe heroin addiction. In an increasingly desperate and misguided attempt to save him and fill the emotional void left by his father, she begins an incestuous relationship with him. The film culminates in a search for Joe’s biological father, blending themes of identity, grief, and obsession. Why It’s Notable Controversial Themes
: The film was highly controversial upon release due to its explicit depiction of incest and drug use, pushing the boundaries of mainstream cinema at the time. Operatic Grandeur
: Bertolucci treats the melodrama with the scale of a grand opera, featuring a score by Ennio Morricone and stunning cinematography by Vittorio Storaro Stellar Cast
: Beyond Jill Clayburgh’s intense performance, the film features appearances by Italian cinema icons like Roberto Benigni Tomas Milian or perhaps a deep dive into the soundtrack by Ennio Morricone
Видео La Luna (1979, Bernado Bertolucci) -subt. español
Let’s set the stage. The title La Luna translates to "The Moon" in Italian, though the film has little to do with astronomy. Instead, the moon serves as a metaphor for cycles, madness, and the gravitational pull between a mother and her son.
The film stars Jill Clayburgh (fresh off her success in An Unmarried Woman) as Caterina Silveri, an American opera singer living in Italy. When her husband (played by Tomas Milian) dies unexpectedly, Caterina relocates with her fifteen-year-old son, Joe (Matthew Barry), to Rome. Bernardo Bertolucci’s 1979 film (also known as )
What follows is not a standard coming-of-age story. Caterina, overwhelmed by grief and her career, neglects Joe. In response, Joe spirals into a dark world of heroin addiction. Desperate to save her son, Caterina embarks on a radical, transgressive journey that blurs the lines between maternal love, obsession, and taboo.
In the vast ocean of cinematic history, few films have sparked as much visceral controversy and intellectual debate as Bernardo Bertolucci’s "La Luna" (1979). Released in the turbulent twilight of the 1970s, this Italian-American psychological drama sits uncomfortably between the director’s erotic masterpiece Last Tango in Paris (1972) and his epic Oscar-winner The Last Emperor (1987).
For decades, "La Luna" was a difficult film to find. It was overshadowed by its controversial themes, locked in limited VHS prints, and rarely shown on streaming platforms. However, in the digital age, cinephiles have turned to alternative platforms to unearth hidden gems. One of the most popular search queries for this film is "la luna 1979 movie ok.ru" —a testament to the platform’s role as a digital archive for rare and cult cinema.
In this article, we will dissect the plot, the controversy, the stunning cinematography, and most importantly, guide you on watching "La Luna" safely and legally, with a specific focus on the OK.ru viewing experience.
If the Ok.ru version is removed due to a copyright strike, or if you prefer legal avenues, consider these options:
La Luna (1979), directed by Bernardo Bertolucci, is an Italian–American drama that unfolds as an emotionally intense, visually elegant study of identity, grief, and forbidden attraction. The film centers on Joe (Peter Sellers), an aging avant-garde conductor whose career and mental stability are unraveling after a personal tragedy. When Joe brings his teenage son, Fred (Jeroen Krabbé), to Rome to reconnect and help him pursue music studies, the fragile family dynamics soon fracture.
Talia Shire plays Caterina, a young piano student who becomes both a pupil and an object of desire. As Joe spirals into erratic behavior—alternating between self-pity, charm, and manipulation—Fred is forced into the role of caretaker while confronting confusing loyalties. The film escalates to a controversial and transgressive climax that probes boundaries between paternal authority and adolescent vulnerability. What is "La Luna" (1979)
Stylistically, La Luna blends Bertolucci’s signature lyrical cinematography with surreal, dreamlike sequences, and a haunting score that amplifies the film’s psychological intensity. Themes include mourning and emotional dependence, the corrosive effects of fame and ego, and the ambiguity of sexual and familial roles. Performances are notable for their emotional rawness: Sellers offers a startling dramatic turn far removed from his comedic persona, while Krabbé’s measured, simmering portrayal anchors the film’s moral tensions.
La Luna remains divisive: praised by some for its daring artistry and psychological depth, and criticized by others for sensationalism and ethical ambiguity. Its provocative subject matter and stark depiction of emotional collapse make it a challenging, memorable entry in Bertolucci’s filmography.
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Bernardo Bertolucci’s 1979 film La Luna (often titled simply Luna) remains one of the most polarizing and visually sumptuous entries in the late director’s filmography. A daring exploration of addiction, grief, and the Freudian Oedipal complex, the movie is as famous for its lush operatic style as it is for its controversial depiction of an incestuous mother-son relationship. Plot Summary: An Operatic Descent
The story follows Caterina Silveri (Jill Clayburgh), a renowned American opera diva living in New York. After the sudden death of her husband Douglas (Fred Gwynne)—who her teenage son Joe (Matthew Barry) believes is his biological father—Caterina moves to Italy to headline a series of Verdi operas. Luna (1979)
The film captures two decaying urban landscapes: late-1970s New York (graffiti-covered subways, punk clubs) and the classical ruins of Rome. Bertolucci suggests that modern alienation is universal, whether in a disco or the Colosseum.
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If sending emails has an impact, non-optimized email signatures also have an impact. An unsuitable format or an image that is too heavy considerably increases the size of your signatures... and therefore, your emails.
As a responsible economic actor, we contribute to reducing our CO2 emissions and those of our customers in several ways:
As we are increasingly involved in sustainability initiatives, our priority in 2023 is to develop even more green IT functionality.
