Facial Abuse The Sexxxtons Motherdaughter15 Full ((full)) Online

Introduction

The portrayal of relationships, especially those involving family members, in entertainment and popular media can significantly influence public perception and attitudes. The representation of abuse within mother-daughter relationships, particularly when a minor is involved, is a critical issue that warrants careful examination.

1.2. Research Gap

Existing media‑effects literature has examined depictions of domestic or partner violence (e.g., Krahé & Möller, 2020) and, more recently, parent‑to‑child aggression (e.g., Ferguson & Lee, 2021). However, systematic analyses of mother‑daughter abuse in entertainment media aimed at early‑teen audiences are virtually absent. This lacuna hampers our ability to evaluate how such narratives influence adolescents’ perceptions of abuse, help‑seeking, and gendered power relations. facial abuse the sexxxtons motherdaughter15 full

3.3. Coding Scheme

Derived from prior coding manuals (Krahé & Möller, 2020) and adapted for mother‑daughter dynamics: RQ1: What narrative, visual, and auditory tropes are

| Category | Sub‑codes | Example Indicators | |----------|-----------|--------------------| | Type of Abuse | Physical, Emotional, Sexual, Neglect, Symbolic | Slapping, verbal insults, forced sexual acts, abandonment | | Narrative Role | Perpetrator, Victim, Bystander, Enabler | Mother as antagonist, daughter as silent sufferer | | Visibility | Explicit, Implicit, Off‑screen | Graphic violence vs. implied trauma | | Resolution | Redemptive, Tragic, Open‑ended, No resolution | Reconciliation, murder, ambiguous ending | | Moral Framing | Villainisation, Victim‑blaming, Neutral, Empathetic | Textual cues that moralise the mother | | Aesthetic Tropes | Close‑up on eyes, darkness, colour desaturation, sound distortion | Visual & auditory styling that signals abuse | Abstract Mother‑daughter abuse—physical

Two trained coders achieved Cohen’s κ = 0.84 (acceptable reliability). Disagreements were resolved through discussion.

4. Findings

1.3. Aims & Research Questions

The present study aims to map and critique the representation of mother‑daughter abuse in entertainment and popular media consumed by fifteen‑year‑olds. Specifically, it asks:

1. RQ1: What narrative, visual, and auditory tropes are most frequently employed to depict mother‑daughter abuse across media formats?
2. RQ2: How do these representations align with or diverge from empirical understandings of mother‑daughter abuse (e.g., prevalence, typology, impact)?
3. RQ3: What are the observable audience responses (comments, shares, sentiment) to these depictions on social‑media platforms?

Abstract

Mother‑daughter abuse—physical, emotional, and sexual maltreatment perpetrated by a mother or maternal figure—remains one of the most under‑examined forms of familial violence in media scholarship. This paper investigates how such abuse is depicted across contemporary entertainment content (film, television, streaming series, and video games) and popular media (social‑media platforms, music videos, and teen‑targeted web series) that are regularly consumed by fifteen‑year‑old audiences. Using a mixed‑methods approach that combines quantitative content analysis (n = 150 titles released between 2010‑2024) with qualitative discourse analysis of narrative framing, visual tropes, and audience commentary, the study reveals three dominant representational patterns: (1) the “hidden trauma” trope, in which abuse is hinted rather than shown; (2) the “villain‑mother” archetype, which moralises the mother as a one‑dimensional antagonist; and (3) the “redemptive reconciliation” narrative, where abuse is resolved through cathartic reunification. The findings demonstrate that while visibility of mother‑daughter abuse has increased, depictions often prioritise dramatic sensationalism over nuanced realism, potentially shaping adolescents’ understanding of normative family dynamics and help‑seeking behaviours. Implications for media literacy curricula, content‑rating policies, and future research are discussed.