The story of DVDASA — The Complete Archive is a tale of digital ghost hunting, controversial art, and the complex legacy of one of the internet's most chaotic podcasts. The Origin: Chaos in a Container
In 2013, world-renowned artist David Choe and adult film star Asa Akira launched DVDASA, an acronym for "Double Vag, Double Anal, Sensitive Artist". Broadcast from a shipping container in Los Angeles, the show was a raw, unfiltered exploration of sex, gambling, addiction, and the dark corners of the human psyche. It quickly gained a cult following for its unpredictable energy and high-profile guests like Bobby Lee and Money Mark. The Infamous "Erection Quest"
The podcast’s reputation took a dark turn in 2014 during an episode titled "Erection Quest". In it, Choe recounted a graphic story about forcing a massage therapist into non-consensual sexual acts. Though Choe later claimed the story was a fabricated work of "douche" storytelling intended for shock value, the backlash was severe. The Great Scrubbing
DVDASA (Double Vag, Double Anal, Sensitive Artist) was a boundary-pushing lifestyle and comedy podcast hosted by artist David Choe and adult film star Asa Akira between 2013 and 2014. Known for its raw, unedited, and often chaotic nature, it gained a cult following before being scrubbed from the internet. Origin and Vision
Hosts: The show paired Choe, a world-renowned graffiti artist and multimillionaire, with Akira, one of the most famous figures in the adult industry.
Concept: Described as a "lifestyle, sex, comedy, and entertainment podcast," it aimed to offer uncensored advice and stories to "lowlifes, perverts, and sensitive artists".
Format: Episodes often ran for over 90 minutes and featured a rotating cast of "sensitive artists" and recurring guests, including Bobby Lee and chef David Chang. The Downfall and "Complete Archive"
The podcast famously disappeared in 2014-2015 following intense backlash over Choe’s controversial storytelling.
DVDASA: The Complete Archive – A Deep Dive into the Chaos If you spent any time on the weirder, wilder side of the internet between 2013 and 2015, you likely heard the name DVDASA. Short for Double Vaginal, Double Anal, Sensitive Artist, the podcast was a fever dream led by world-renowned artist David Choe and adult film superstar Asa Akira.
Today, finding a "complete archive" of DVDASA is the digital equivalent of hunting for a lost relic. It was a show that thrived on spontaneity, controversy, and a "burn it all down" philosophy that eventually led to its own disappearance. What Was DVDASA?
DVDASA wasn't just a podcast; it was an experimental variety show broadcast from "The Choe Store" in Los Angeles. While David Choe and Asa Akira were the anchors, the room was constantly filled with a rotating cast of "vibrators"—sidekicks, musicians, porn stars, and eccentric personalities like Money Mark, Bobby Hundreds, and Critter. The show was famous for:
Brutal Honesty: Choe used the platform to exorcise his demons, discussing gambling addiction, sexual escapades, and his struggles with fame.
Musical Improvisation: Every episode featured live, impromptu jam sessions that ranged from surprisingly soulful to intentionally unlistenable. DVDASA - The Complete Archive
The "Choe Style": High-energy, often offensive, deeply vulnerable, and completely unpredictable. Why Is the Archive So Rare?
In 2015, the show abruptly stopped. Shortly after, the official YouTube channel, website, and iTunes feeds were scrubbed. Several factors contributed to the "Great DVDASA Wipe":
Mainstream Ambitions: As David Choe moved toward more mainstream projects (like his Hulu show The Choe Show), the raw, unfiltered, and often problematic content of DVDASA became a liability.
Legal and Social Sensitivity: The show operated in a "cancel culture" grey area long before the term existed. Many segments simply didn't age well in a shifting cultural landscape.
The "Live in the Moment" Philosophy: Choe often expressed a desire for his art to be ephemeral. Deleting the archive was, in a way, the ultimate artistic statement. The Quest for the Complete Archive
For "DFAM" (DVDASA Family) die-hards, the search for the complete archive is ongoing. While the official sources are gone, the show survives through:
Reddit Communities: Subreddits like r/DVDASA have long been the hub for fans sharing Mega links and Google Drive folders containing the 100+ original episodes.
Internet Archive (Wayback Machine): Dedicated archivists have uploaded portions of the show to the Internet Archive to ensure the cultural footprint isn't entirely erased.
Fan Tapes: Because the show was often streamed live, many fans recorded the audio and video in real-time, preserving the "lost" episodes that were never officially released. The Legacy of DVDASA
DVDASA paved the way for the "vibe-based" podcasts we see today. It proved that audiences were hungry for long-form, unedited conversations that felt like being a fly on the wall of a chaotic dinner party. It was a lightning-in-a-bottle moment for internet subculture—one that likely couldn't exist in the same format today.
Whether you're looking for the legendary "gambling stories" or the musical genius of Money Mark, the DVDASA Complete Archive remains a fascinating time capsule of a time when the internet felt a little more like the Wild West.
The disappearance of the show is a story in itself. At its peak, DVDASA was a juggernaut on the now-defunct Death Squad Network (hosted by the infamous street artist Saber). The show had a devoted paywall community, a live call-in show titled DVDASA Live, and a vault of 70+ main episodes ranging from 45 minutes to nearly 4 hours long. The story of DVDASA — The Complete Archive
Then, the collapse.
Several factors led to the purge:
By late 2015, David Choe pulled the plug. He didn't just stop making episodes; he attempted to memory-hole the entire project. RSS feeds were cut. Private SoundCloud links died. The era of the Lost Podcast began.
Thanks to a dedicated group of archivists (ironically calling themselves the "Sensitive Artists Preservation Society"), the Complete DVDASA Archive has been reconstructed. Here is what a full, untouched collection includes:
File sizes vary: The full audio archive (MP3, 128kbps) runs approximately 8.5 GB. The complete video archive (uncompressed original streams) runs closer to 45 GB.
Episode 63 (Hong Kong) was destroyed completely by Choe’s own hand. However, fans recorded a 14-minute "death rattle" of the episode—the end of the show where the crew realized they had to stop recording. The archive includes the "Pre-HK" episode (62.5) where the setup is described.
Here is the elephant in the room: There is no official re-release. David Choe has publicly stated he wants the show to die. Asa Akira has distanced herself from it in recent years (though she still occasionally nods to it).
Because of this, the archive exists in the shadows. We do not condone piracy, but the reality of digital preservation is that when an artist tries to erase a work of art, the internet steps in.
If you are looking for the DVDASA Complete Archive:
Warning: Do not pay for this archive. Scammers sell hard drives of "lost DVDASA" on eBay for $200. The archive is free. It is cultural detritus. Money was the thing that ruined the show; don't let it ruin the search.
In the current media landscape—sanitized, brand-safe, algorithmically flattened—DVDASA is prehistoric. It belongs to the era of Tim & Eric, Wonder Showzen, and early Cum Town. An era when "edgy" was a value proposition, not a cancellation vector.
But re-listening to the archive (the safe parts) reveals something profound: David Choe was documenting the disintegration of the male ego in real time. He was a rich man who hated himself. A famous artist who wanted to be anonymous. A sexual deviant who was terrified of intimacy. The "Hong Kong" Episode (Ep
Asa Akira, by contrast, was the anchor. Her segments are clinically sharp. She deconstructs the economics of sex work while sitting on a sybian. She is the only person in the room who understands consent as a mechanic, not a joke.
The tragedy of the archive is that it was never meant to last. It was a bonfire. And we are the archaeologists picking through the ashes, wondering if the heat we feel is genuine insight or just the lingering burn of an era where you could say anything—right up until the moment you couldn’t.
To understand the archive, you must understand the virus. David Choe was already a legend. He was the graffiti artist who, in a moment of insane foresight (or reckless generosity), took Facebook stock instead of cash for murals painted at their early offices. When the company went public, Choe became a multimillionaire overnight. He is also a compulsive liar, a degenerate gambler, a world-class painter, and a man with no internal filter.
Asa Akira, meanwhile, was the queen of “anal avant-garde.” Her memoir, Insatiable, was a bestseller. She was smart, ruthless, and hilarious—the perfect foil to Choe’s manic, depressive genius.
The premise of DVDASA was simple: Sit in a room with a rotating cast of misfits (known as the "Dick Lords" and "Pink Lords"), take calls from listeners, watch the worst videos on the internet, and talk about everything from Zen Buddhism and suicide to gangbangs and real estate fraud.
It was The View for the sewer-dwelling, art-world elite. It was Art Bell for porn addicts. It was the last true “anything can happen” podcast.
To understand the archive’s disappearance, you need Episode 73.
Titled ironically, this episode featured a guest named Jennifer (a porn agent). David Choe, in a manic state, began describing a violent sexual fantasy involving a 14-year-old Korean girl. It was roleplay. It was "edgy." It was also a felony to record.
Asa pushed back. Bobby walked off set. The audio captured the sound of a room realizing they had crossed a line that no Patreon or YouTube monetization could ever return from.
The episode aired live. Within 12 hours, the internet exploded. The Daily Mail picked it up. Anonymous death threats to the sponsors (including Vitamin Water and Adidas) flooded in. Choe went into hiding. The show was deleted.
But the internet never forgets. And it never forgives. And crucially, it never returns the tapes.